“Well, it’s rather brutal here. Our recommendation is all of our clients to commit their entire holdings into tinned provisions and hunting rifles.” That bit of shrewd guidance comes from the Brain Gremlin – a genetically modified, articulate, glasses-wearing member of the oozy monster mob that swarms Manhattan’s super-smart Clamp Tower skyscraper in helmer Joe Dante’s unhinged continuation Gremlins 2: The New Batch. On the surface, it’s nothing more than an financial suggestion from one monster to another. Yet, in a strange manner, it’s also surprisingly sturdy existential counsel. Truly, listen to my reasoning.
When life takes a turn for the worse, the worst thing you can do is approach matters with excessive gravity. The Brain Gremlin grasps this. Indeed, the majority of the fang-bearing creatures that populate Dante’s wild 1990 film (arguably his best) possess the same wry, meta sense of humour regarding the blurry line separating daily routine and absolute bedlam. It’s one element of Gremlins 2: The New Batch that ensures my return – and the older I get, it’s the underlying idea that resonates the most.
Understandably, my fondness for this movie didn’t start on such an deeply thoughtful note. As a child, we possessed merely a few well-worn videocassettes at home. Part of that group were Gremlins and its second chapter, the latter housed in a chunky ex-rental box almost certainly acquired from an off-brand video shop and sporting growling monsters on its tattered front. I was right away smitten and these films quickly proceeded embedding themselves inside my small, malleable brain. After that point, they became an almost-daily part of my childhood viewing routine.
Dante’s initial installment commonly garners all the plaudits, thanks mostly because of its reputation as a moderately spooky festive favorite – and let me be clear, I’ve watched Gremlins more times than I can count. However, its successor infrequently obtains the same level of lofty appreciation, which feels a travesty. As a kid, I’d never miss an opportunity to watch Gremlins 2. During sunny school summer breaks, I’d lock myself inside and stick it on. When I acquired my personal TV-VHS combo unit, it continued playing looped in my bedroom. Gradually, it became deeply rooted in my mental framework. If my parents noticed this obsession, they didn’t seem to mind.
As I got older, new understandings enhanced frequent screenings, heightening the enjoyment of watching little green monsters gleefully trash a New York high-rise. I learned the future-focused development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by the later-to-be-president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) referencing his second wife Marla Maples. Luckily, Clamp demonstrates more humanity than his real-life counterpart.
The “apocalyptic” video Clamp plays during the height of creature carnage? I discovered it was inspired by a actual “Doomsday” video created by the CNN boss Ted Turner in case the world really ended. I noticed how Dante went out of his way to film different iterations of a self-aware scene where Gremlins seize control of the very film you’re watching. An edit for movie houses, one for VHS and TV, each providing a grinning portion of fourth-wall-breaking cultural alchemy prior to the concept being mainstream.
While it was makeup maestro Rick Baker’s wonderfully grotesque creatures that captured my attention as a child, this hidden treasure held my interest as an adult. In time, I even spoke to Dante about it myself and he had no qualms informing me he made the movie with the specific aim of mocking those who loved its goofy-but-heartfelt predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This anarchic defiance and resolve to not take his sequel as solemnly as his Warner Bros bosses evidently expected, only deepened my appreciation further.
When I went through a sudden family bereavement recently, I was surprised to find that, during my heightest mourning, all I desired to do was sit and watch Gremlins 2: The New Batch. Odd, no? Perhaps not. The comforting familiarity it furnished was essential to dilute my mind’s mourning mire – but the perspectives it had bestowed upon me as an adult were equally valuable.
Like Gremlins running amok in a genetics laboratory, there’s certain elements in life you just can’t control. Dante is aware of it. The Brain Gremlin knows it too. Sometimes, you have to follow their example: welcome the pandemonium, put everything you’ve got into tinned provisions and hunting rifles and try not to take things too seriously.
It’s robust worldly wisdom from a very unlikely source – and it’s the reason Gremlins 2: The New Batch will forever remain my go-to cinematic solace.
Elena Verhoeven is a tech enthusiast and digital strategist with over a decade of experience in emerging technologies and online innovation.